Peter James Smith

Essays

 

1978       Peter Lorimer, ‘Some of the Finite Projective Planes’, Mathematical Intelligencer, 5, 41-50

 

1994       Robert Nelson, ‘Speculations on the Empirical Lyre of Peter James Smith’, catalogue essay for Statistical Text, Monash University Gallery, Melbourne, Australia

 

1996       Keith Stewart, ‘Probability Bites’, article, Quote Unquote, August

 

1996       Keith Stewart, ‘Ditch—Peter James Smith: Painting the Gap’, catalogue essay for Hypertext, Gallery 101, Melbourne, Australia

 

1997       Keith Stewart, ‘Life Science’, article, New Zealand Listener, 2 August

 

1999      Ben Marshall, ‘Painting x Numbers’, article, Australian Style, 31, 101

 

1999       Elizabeth Kerr, Looking South - across time, distance, place and culture, catalogue essay, Milford Galleries, Dunedin, New Zealand

 

2000     John Gregory, ‘Peter James Smith: ‘It is by gathering data that we come to know about  the world’, Eyeline, 41, 48–9

 

2000      Pat Baskett, ‘All-rounder for our post-modern times’, article, New Zealand Herald, Auckland, New Zealand, 24 April

 

2000      Zara Stanhope, The Numbers Game, catalogue essay, Adam Art Gallery—Te Pataka Toi, Wellington, New Zealand

 

2000      Suzie Campbell, ‘Beyond the Known World: The Paintings of Peter James Smith’, Art New Zealand, 97, 82–85

 

2000      David Famularo, ‘Mathematical Musings’, article, The Dominion, Wellington, New Zealand, 17 November

 

2001      Stephanie Radok, ‘A water or a light’, article, Artlink, 21, 51-2

 

2001      Martina Copley, ‘Terrain’, catalogue essay for A Cinematic Trace, Judith Anderson Gallery, Auckland, New Zealand

 

2001     Martina Copley, ‘The Ship’s Wake’, catalogue essay for Underlapping Science, Gallery 101, Melbourne; Michael Nagy Fine Art, Sydney, Australia

 

2001       Patrick Hutchings, ‘Number is the Wisest Thing’, catalogue essay for Underlapping Science,
                 Gallery 101, Melbourne Michael Nagy Fine Art, Sydney, Australia


2002       Synergy, exhibition catalogue, CSIRO Marine Research Laboratories, Hobart, Tasmania

 

2005       John Armstrong, ‘The Art of the Modern Sublime’, catalogue essay for Illumined by Darkness, Edmiston Duke Gallery, Auckland, New Zealand
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2008      Claire Watson, ‘Truth + Beauty’, catalogue essay for Truth + Beauty, Gippsland Art Gallery, Sale, Victoria, Australia
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